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View on video Morton Subotnick - "Sidewinder"
View on video Morton Subotnick - "Sidewinder"
Morton Subotnick - "Sidewinder"
Видео закачал: fallonmccoy
Описание видеоролика:
american electronic composer Morton Subotnick's fabulous work
Тэги: morton subotnick sidewinder
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Еще видео, закачанное автором видео fallonmccoy
| Subotnick- The Last Dream of the Beast (1/2) | Laurie Spiegel - "Improvisations on a 'Concerto Generator'" | Morton Subotnick: The Key to Songs (Part I) |
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| "Moog: A Documentary Film" | Morton Feldman: Structures (1951) | Morton Subotnick's Until Spring Revisited |
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| Hey man!I proclame: ... ( 1 year ago от roncstelep) |
| Hey man!I proclame:The geniousness has NOTHING to do to the art. There are genial work of art but the creators are not geniouses. Just take Bach as an example:he was an asshole as a private person,and so do the other artists are as a human-creature from the wiev of the wholeless-ness.Simply because geniousness is nothing but wholeless-ness. I have never met artist even close to it and never met anybody else.Genius must be found somewhere else. Very hidden. |
| this is to music! ( 1 year ago от backinblackboy) |
| this is to music! |
| Where is it written ... ( 1 year ago от BeatBuddy) |
| Where is it written that geniuses must be nice, affable people? Some of the most detestable people were brilliant. A good example is Wagner. |
| very very ... ( 1 year ago от gennargiu) |
| very very intresting projekt,much compliments for your works |
| This piece is ... ( 1 year ago от emilyann1989) |
| This piece is brilliant. The placement and use of the sounds makes it interesting and captivating to listen to, and that in itself takes a certain degree of genius. It may not have specific notes or be anything like Vivaldi or Bach, but it has a definite pattern and purpose for the sounds that take the listener on a journey and I think that's important in any musical piece. Yay for experimental music! |
| Cool... sound ... ( 1 year ago от DaNorthernLight) |
| Cool... sound effects with an oscillating rhythm. It may be musically programmed... but it's not ideal music. Modernists will NEVER grasp the fact that emotional aethetics and intellectual-injections are NOT at odds with each other. The combination of the two is the very heart of music. |
| ideal music? That's ... ( 1 year ago от cococonk) |
| ideal music? That's an odd concept. Ideal from who's point of view? |
| Give me a link to ... ( 1 year ago от megza14) |
| Give me a link to your work |
| woah, this could be ... ( 1 year ago от Natashadoingit) |
| woah, this could be Ryoji Ikeda's dad by the sound of it! |
| totally agree. ... ( 10 months ago от HamerD) |
| totally agree. Though it definitely gives me far less pleasure and emotional satisfaction to listen to subotnick over beethoven. There is definitely a place for it in the colour-wheel of music though! |
| Hooray! My favorite ... ( 9 months ago от gomro) |
| Hooray! My favorite Subotnick piece; for years I hoped for this and UNTIL SPRING to make it to CD, and eventually they were released TOGETHER, to my great delight. Now, if someone would do FOUR BUTTERFLIES the same favour... |
| what's the video??? ... ( 8 months ago от Robusto103) |
| what's the video????? |
| how did he make ... ( 8 months ago от nicodagger) |
| how did he make these sounds? |
| nicodagger: All the ... ( 8 months ago от PutteFnasker) |
| nicodagger: All the sounds are made on the Buchla synthesizer. |
| Wasn't part of this ... ( 8 months ago от MuzikJunkyAES) |
| Wasn't part of this used in the SpongeBob SquarePants cartoon "SB-129"? Peace. |
| @roncstelep Who ... ( 7 months ago от MuzikJunkyAES) |
| @roncstelep Who said that all music had to be tonal and pretty? I think this is far more gorgeous than anything produced on an acoustic instrument! Peace. |
| More on the ... ( 5 months ago от petergrenader) |
| More on the instrument.. This photo was taken 1972 after it was later installed in the CalArts Studio B-303 where it was used by faculty and students up until about 1984-6. Subsequent electronic works produced by him after this (Four Butterflies, Until Spring and Sky of Cloudless Sulfur) all incorporating the butterfly metaphor were also produced on a Buchla 200 which was his own and had components from earlier generation Buchla instruments namely the 101 Dodecca module. I hope this helps! |
| Interesting...So, ... ( 5 months ago от fsrmusic1) |
| Interesting...So, how do you notate something like that? |
| @MuzikJunkyAES - ... ( 4 months ago от petergrenader) |
| @MuzikJunkyAES - bravo for thinking outside of the box!. I give a lecture about this very topic. If you really want to get ill, read the Webster's definition of music. Completely disses half the man-made music of the world, not to mention bird and whale song....and try to to convince me those aren't a communication of emotion. |
| The problem with ... ( 4 months ago от petergrenader) |
| The problem with standard notation in regard to electronic music is that media doesn't deal with the fixed timbres associated with conventional instrumentation. A clarinet is a clarinet and so on. A synthesizer left ultimate control of all the parameters of sound - freq, duration, timbre, amplitude and spacial location up to the creator and standard notation doesn't account for that. |
| Standard notation ... ( 4 months ago от petergrenader) |
| Standard notation not being an option, composers were left the freedom of developing their own notations. As far as the sounds, patch sheets would cover this - a block diagram showing what was connected to what and the significant control settings for each section (or module) of the instrument. As far as notating the compositional elements of the body of work, visual notes and/or graphic representations usually sufficed. Have a look at Cardew's Treatise for an example. |
| @PANTERTALLICA - ... ( 4 months ago от ShemTheSham) |
| @PANTERTALLICA - Yes, there's even more bizzare stuff where this came from. |
| ...we walked into ... ( 2 months ago от rskrzyz) |
| ...we walked into the trees afraid, letting our syllables be soft for fear of waking the rooks, coming noiselessly into a world of wings and cries---using jumpers for goalposts, the sound of three hands' clapping overlapping,at the edges where the debris is... am I close? |
| Mention should be ... ( 2 months ago от originaljgf) |
| Mention should be made that the full composition is about 40 minutes long, covering both sides of the album. I listened to this incessantly during my college years, much to the consternation of my neighbors, who no doubt wondered just what the hell was going on in my house at two in the morning. Thanks for posting this. I must go see if it's available on CD. |
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